Scene Senses

We’ve been discussing scene writing over the last several weeks, including the expectations for what constitutes a scene, what belongs in scene beginnings, middles, and endings, and setting up your scene for your reader. This week we will discuss scene senses.

I like writing in scenes because using scenes breaks the writing process down into small chunks. For some, the prospect of writing a 100,000 word novel is overwhelming, but if you can break that novel down to scenes, and concentrate on writing a single scene of a few or several pages to the best of your ability, then there is much less pressure on the writer. Scenes are also easier to focus on to allow the author to make sure all the writing elements needed are present.

Regardless of which part of the scene you are working on, make effort to infuse your writing with sensory perception details wherever appropriate. If adding sensory information to your writing is not your strength, make a note, or checklist, to remind yourself to review your work after you’ve written your scene. Does your character seem flat? Are there some details missing but you can’t quite put your finger on what it is?

Sight is the most important sense to use in scene writing because the reader must be able to visualize your story world in their mind’s eye. Show important objects that your reader needs to see. Do they need to see the single pearl on the floor next to the body in a mystery novel, for example, or perhaps they need to see the apple with a worm in it? Can your character see the sunlight streaming through the forest that highlights the path of escape? Sight details bring your character’s environment to life and is a requirement is you want to provide your reader a good experience.

Touch is a detail which can be as simple as your character touching the trigger of a gun, or not touching a doorknob because they have a germ phobia. But touch is also represents a full spectrum of information about your character and how they interact with other characters and the world around them. Touch includes your character touching other characters, or touching themselves. Whatever it is that you need to convey to your reader, consider touch as a way to provide some of that information.

Smell can be an intimate or a distant sense. There are good smells and bad smells. You can even use smell to help identify your characters. Does your heroine always smell like roses? Does your villain always smell like stale cigarettes? Do those smells proceed them into the room? Scent and smell can create mood, and show your reader much about your characters. You may want to consider that memories can be triggered by smells, too. How does that affect your character?

Sometimes sound can provide almost as much information about a physical setting as a general description and sight clues. Sounds enhance your scene’s mood, and help to create atmosphere, as well as provides interest to scene setting, where appropriate. Sound also imparts knowledge about your character. What is the quality and timbre of their voice? What about your character’s accent, or intonation?  What about silence? Think about how to incorporate sound into your scenes as a way to add depth for your readers.

Taste is an underused sense (with the exception of erotica and some romance) in most writing. Is food important to your character? What does that food taste like and what does that favorite flavor say about your character? Does the taste of things affect your character’s mood? Does it create conflict if your character does not like the coffee? How can you use your character’s love of a certain taste to give the reader information about that character?

You can look at the senses individually as your work your way through your scene or consider them as a while, and over time the combination of the senses will provide your reader with a in-depth and detailed story world that is irresistible.

Next time: More scene details





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